Old issues
Vol. 19  No. 8 - March 2006
   
  PGI Marks Thirty Years of Platinum Jewellery in Austria, Germany and Switzerland
Watch Industry to Unvil New 2006 Collections at Baselworld
Gemstone Pavilion Expanded to Accommodate Overflow of Exhibitors at Second Edition of Bangkok June Fair
     
  PGI Marks Thirty Years of Platinum Jewellery in Austria, Germany and Switzerland  
 
        Precious platinum, pure, rare, eternal - and completely taken for granted today as a premium metal for luxury jewellery. This wasn't always the case though, and beyond thirty years ago, before the formation of Platinum Guild International (PGI) Germany, the scenario was somewhat different. More an industrial metal and less of a choice for treasured pieces of jewellery to be handed down from one generation to the next, platinum's role in ornamentation had nosedived during and after World War II, when the battered economies of the Axis powers could barely think in terms of luxuries and focused more on practicalities.

        Switzerland of course, blessedly neutral in her political affiliations and allowed to remain so thanks to her banking system, tended to follow German design and so by proxy, platinum lost favour there too.

        It was only after the setting up of PGI Germany in 1976 that platinum enjoyed its renaissance as a jewellery metal and has since then evolved from being the quirky choice of avant garde designers to its present role as the embodiment of elegance, grace and genuine values.

        The veil of mystery over this magnificent white metal may have lifted in the 18th century, but it wasn't really until the early years of the 20th century that its application in jewellery became popular. Louis Cartier, the legendary Paris jeweller played a significant part in the exaltation of its status and other important names of the day followed suit.
 
 
        With the waning of the Art Deco era however, platinum's fortunes too declined and as the world was slowly drawn into the nightmarish age of World War II, the industrial demand for platinum that was swallowed up by the machinery of combat and the ruthless demise of innocence sent the use of platinum in jewellery spiralling into oblivion. Pure, rare and eternal were words that had lost their meaning and there was no room in popular imagination for virginal imagery.

        This state of affairs continued for decades until a group of platinum refiners, jewellery designers and jewellers formed a consortium that baptised their joint resources as Platinum Guild International and spelt out its destiny as the association that would resurrect the fortunes and values of this most precious of all metals.

        Jewellery manufacturers in Germany, Austria and Switzerland responded most enthusiastically to this rediscovered metal and one of the first producers to concentrate its efforts on platinum was Niessing, which ' pioneered the articulation of the metal's characteristic look by giving a matte finish to the surfaces of platinum jewellery.

        Niessing also succeeded in finding an appropriately visible form for platinum's incomparable values - the tension setting. Artist and workshop director Walter Wittek invented the Niessing Spannring® in 1979. This classic of modern jewellery design relies solely on the inherent tension in the ring's band to firmly hold a diamond.

 
 
  1. "GENESIS II" platinum necklace, with pendant made of platinum and sapphire crystal, a pink sapphire and brilliant-cut diamonds, Bunz Collection, Dobel.
2. Advertising motif of Platinum Guild International Germany, 1985 platinum necklace, by Meister, Radolfzell and Wollerau (Switzerland).
3. "Arcus" platinum bracelet, with two pave planes touching one another and made from 268 brilliant-cut diamonds, Henrich & Denzel, Radolfzell
4."Brillantschleife" ("Brilliant Bow") platinum necklace with platinum pendants, and brilliant-cut diamonds, Niessing, Vreden
 
 

        When this revolutionary new setting debuted, no alloy and no metal besides platinum was deemed to have the necessary
strength and resilience to securely hold a diamond in a nearly invisible setting.

        Creations like this one made a formative impression on the jewellery landscape during the heyday of the platinum renaissance. Platinum inspired designers and manufactories to further develop a formal idiom that would be appropriate for the contemporary era.

 
     
 
 
         Creative minds initially focussed on the sleek geometrical basic forms, which came to typify platinum jewellery and soon associated the metal with minimalist design. Georg Bunz and his collections made another important contribution, Bunz discovered platinum in his quest for a timely and timeless style and he has cultivated its fascination since the founding of his atelier in 1975 predating even the formation of PGI. Bunz's passionate relationship with platinum resulted in an elegant minimalist style and an unmistakable formal idiom underscored by diamonds in unusual cuts, high quality coloured gemstones and innovative settings that became his signature style.

         The association of platinum and purism dominated the 1980's - the 'decade of design'. The art of dispensing with the inessential reigned paramount during this period and from being a setting for precious gems, platinum was elevated to becoming the very focal point of the piece. The emphasis was on the material and its forms in progressively clearer, smoothly planar, daring and aggressive designs.

         The progress towards new forms in the 1990's culminated in more serene, voluminous and luxurious designs. The purist and minimalist approach softened and became romantic even and slowly evolved to the current elegance of line and design that defines the finest platinum jewellery today. Today platinum has come full circle and represents in equal the romance and elegance of a lost era as well the cutting edge modernity of contemporary times.
     
 
  5.Platinum ring, with an aquamarine, Meister, Radolfzell and Wollerau (Switzerland)
6."Platin-Farbreigen" ("Platinum Colourful Round Dance") necklace, with eight coloured gemstones (aquamarine, morganite, smoky quartz, amethyst, rock crystal and three citrines), Georg Spreng, Heubach
7. Platinum brooch, with an onyx, a pink tourmaline and six brilliant-cut diamonds, circa 1992, by Henrich & Denzel, Radolfzell
8. Nessing Spannring® made of platinum, 1979, Niessing, Vreden
 
 
 
 
 
 
Gemstone Pavilion Expanded to Accommodate Overflow of Exhibitors at Second Edition of Bangkok June Fair

         Following the success of the inaugural edition of the Bangkok Gems & Jewelry Manufacturers Fair, or the Bangkok June Fair as it is more popularly known, gemstone exhibitors quickly filled up all the available space in the gems pavilion while the demand for more space refused to abate.

         Therefore the organizers of the Bangkok June Fair have been compelled to expand the size of the gemstone pavilion at the second edition of the show, which will be held from June 14-18, at the Queen Sirikit National Convention Center in the heart of Bangkok.

         Thailand has long been considered the ultimate gemstone centre with every kind of coloured stone available here in many innovative cuts and in huge quantities and the world has acknowledged the kingdom as a one stop shop for all kinds of gems from mines all over the world.

         Naturally, the number of visitors who attended the inaugural edition of the Bangkok June Fair to stock up their inventories in the latest colours, cuts and shapes and the amount of business done has encouraged past as well as new exhibitors to rush to book space.


 
 

         The star attraction of the Bangkok June Fair though, is slated to be the World Silver Jewelry Expo (a special pavilion of local & international silver
exhibitors) that will be hosted in a fair within a fair format thus attracting more buyers for this sector.

 
 
 
         Based on the performance of its previous edition and the marketing savvy of the organizers, the Thai government agencies have begun to take a keen interest in promoting the fair even though it is a private sector event. The Department of Export Promotion has committed to provide assistance in promoting the show and will include it in its fair calendar on its website as well. Other relevant government departments and ministries have also pitched in with concrete offers of assistance in promoting the fair among the local and
international visitors and buyers. 

        International media and trade publications will also be there in full force to cover the event, which poses a counterbalance to the June Hong Kong show giving buyers to the region more choice at better price points in time for their Fall/Winter and Christmas orders.

         Recognising the significance of the Bangkok June Fair to the industry, gem laboratories of the calibre of GIA, AIGS and the GIT will all be exhibiting as will other industry related goods and services. A good selection of local and international pearl exhibitors will be an added highlight.
 
 


 
  Watch Industry to Unveil New 2006 Collections at Baselworld  
 
         It has become a tradition of sorts that the international luxury watch industry counts its new year from the opening day of the annually held Baselworld Watch and Jewellery Show, and it is there that it will unveil its latest collections which have till then been as closely guarded as the crown jewels of England.

         Indeed the Swiss brands, many of whom only ever exhibit at Baselworld deeming other industry events as inconsequential, have been tiptoeing around with the utmost discretion in order to keep their latest innovations a tightly held secret that will only be revealed to the world on March 30, when Baselworld opens its doors.

         The Trade press is however privileged to get a sneak preview of the goodies in store for lovers of fine timepieces and thus we can take a shot at predicting what will be hot and happening in watch land this year.
 
 


A) ANDERSEN GENEVE -Grande Jour et Nuit Six years after the creation of his Grande Jour et Nuit, the famous watchmaker offers a particularly refined new interpretation. The various technical and aesthetic choices facilitate the unique reading of the daytime hours (6 am to 6 pm) and night-time hours (6 pm to 6 am), the hour hand points to the day with its longer end and the night with its short end. It jumps to the following hour when the minute hand has perfomed a full tour of the dial.

B) BULOVA - San Remo
The rectangular case sparkles with 224 diamonds, while the dial combines engine-turned and mother-of-pearl surfaces. Bulova, with this model distinguished by its original design, is specially designed for women. Inherently sophisticated, San Reino is endowed with several distinctive characteristics such as an interchangeable strap.The display of the different functions gives the watch a very pleasant look. This elegant watch is also available in non gem-set versions.

C) HUBLOT - Big Bang Black Magic
In its new "Black Magic " version, the Big Bang chronograph is even more distinguished, more demonstrative and more technological than its predecessor. The timepiece is a blend of power and aesthetic elegance, particularly thanks to its superb 44.5 mm black ceramic case. The use of new materials accentuates the brand's visionary spirit, expressed through a new watch that is bound to find a passionate audience, especially since it features undeniable wearer comfort

D) ANDERSEN GENEVE -KAMAR
Taking advantage of the trend for large-sized wristwatches, Andersen offers a complication combining inventiveness, generous dimensions and a sense of detail. The majestic moon-phase display is the result of an original concept: a single mother-of-pearl disc with a dark moon and a light moon that moves one notch forward at noon and midnight. By way of a signature, the slender gold hands form the brand logo.
 

 
 
         Round is the shape to watch out for (pardon the terrible pun). Updated with a highly contemporary look, the classic case is modern once again. Also to be seen are the square parallel piped with eight or twelve sides.

         Gems will continue to add the right touch of value that spells class rather than the outright in your face flash and bling of a few years ago. New materials are in, but more than a few of the pieces are updates of already popular models that are revisions or sequels of acclaimed classics.
 
E) MIDO - Mido All Dial Lady Diamonds
The latest Mido creation flaunts its charm with an up-to-the-minute flair, enhanced by the consistent and eternal beauty of diamonds. The creativity and spirit of excellence of this watch stand out through its clear and distinct consistency of style. Beautiful and appealing, the watch plays its trumps in the colours of passion with a red hue signifying elegant seduction, accompanied also by a welcome touch of provocation.

F) RADO - Integral Chronograph Jubile
A new chronograph destined to delight the woman of today. This timepiece displays a balanced blend of functionality and feminine design, all with an undeniable and seductive touch of glamour. With a dial and bracelet that come in three different colours, the Integral Chronograph Jubile has widened its horizons to better accommodate everyone's tastes. This watch pays homage to beauty — a beauty that is eternal, just like the passage of time.

G) HARRY WINSTON
- Ocean Lady Biretro As the first ladies' watch of this collection, the Ocean Lady Biretro is both extremely feminine in terms of the gems it is set with and highly technical in terms of the functions it offers. Intended for a woman who is sure of her tastes and ready to wear a less traditional watch, it embodies a sublime union of high quality jewellery and watchmaking and brilliantly illustrates a concept treasured by Harry Winston: "Rare diamonds & Rare movements".
     
 
 
         In terms of materials, gems for cases and dials and mother of pearl for dials is still hot for ladies watches and bracelets in white, pink and yellow gold, platinum and steel are the perennial favourites. Rubber has been gaining ground over the past decade and certainly seems to be continuing its successful run well into this season as well. The real departure from the last few years' look is the absence of colour or rather let us put it this way, the dominant presence of black, white and red in the colour scheme. Red especially seems to be the contemporary favourite in the ladies models this year.

         In terms of mechanism, there are many original models with big complications. Dials are equipped with different functions to ensure that not a single second is lost. The second time zone, chronograph counters, and big date windows seem to be particularly popular functions.

         Sapphire backs seem to be everywhere and watches that give a partial glimpse of movements are here, there and almost everywhere. There is something wondrous, almost magical in contemplating the workings of watch mechanisms that never loses its fascination or charm for the wearer and it seems that in 2006, the Swiss watch industry has made up its mind to captivate connoisseurs with its charismatic appeal.

H) CONCORD - Mariner Chronograph
It was a quarter of a century ago that Concord first introduced the Mariner chronograph. And to mark its 25th anniversary with a white stone, the watchmaker has taken up this timepiece once again and bestowed a highly contemporary look on it. At once sporting and sophisticated, the three counters lend this chronograph a particularly distinguished air. The watch harmonises perfectly with that special feature of the Mariner collection: a dodecagonal bezel.

I) HERMES - Heure H Ronde
With its square case and lugs drawing the initial of the venerable House, it is the most emblematic of the Hermes watches. Now revisited by its designer Philippe Mouquet, Round flour features a gentle rounded shape. It is adorned with a welcoming "sunburst" guilloche dial, completed with a seconds hand for the men's model. The strap with its folding clasp or pin buckle is available in an attractive range of Hermes leathers.

J) DANIEL ROTH -Quantieme Perpetuel Instantane This remarkable complication, a precious re-edition of a creation presented in 2003, reveals the intricacies of the brand's considerable know-how. Thanks to technical developments, the calendar functions are user-friendly, accurate and highly legible. The particularly attractive skeleton dial, with its elegant and beautifully arranged counters, testifies the aesthetic refinement inherent to Daniel Roth creations.

K) MONTRES DEWITT
Tourbillon Force Constante Academia Jerome de Witt presents a world-first ingenious regulating system combining a tourbillon with a constant-force device, designed to transmit impulses of identical force to the tourbillon and thus to ensure an optimal control of the force, whatever the state of winding. Issued in a limited series of 25 in platinum, the Tourbillon Force Constante Academia features an original and aesthetically pleasing lay-out separating these two regulating masterpieces.

L) ZENITH - Baby Star Open The youngest addition to the Queen of Love collection, the Baby Star Open watch - an even smaller model - houses the new automatic Elite 68 movement. Accommodated in a design dedicated to love, it can be seen valiantly palpitating, proudly exhibiting its small seconds in the shape of a heart. Round like the feminine curves, the Baby Star Open puts forward a new interpretation of the crazy score of passion, on a detachable high-impact bracelet. Talk to me about love...